Hypertext and the female imaginary
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Hypertext and the female imaginary

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Published by University of Minnesota Press in Minneapolis .
Written in English


Book details:

Edition Notes

Includes bibliographical references and index.

StatementJaishree K. Odin
SeriesElectronic mediations -- 31
Classifications
LC ClassificationsPN56.I64 O35 2010
The Physical Object
Paginationp. cm.
ID Numbers
Open LibraryOL24566490M
ISBN 109780816666690, 9780816666706
LC Control Number2010016952

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"Hypertext and the Female Imaginary is a much-needed examination of cultural studies issues as they relate to literary-oriented digital media and are played out in women's works dealing with Jaishree K. Odin has written an extremely valuable book.".   "Hypertext and the Female Imaginary is a much-needed examination of cultural studies issues as they relate to literary-oriented digital media and are played out in women’s works dealing with hypertext. Jaishree K. Odin has written an extremely valuable book." —Dene Grigar, Washington State University, VancouverAuthor: Jaishree K. Odin.   "Hypertext and the Female Imaginary is a much-needed examination of cultural studies issues as they relate to literary-oriented digital media and are played out in women’s works dealing with hypertext. Jaishree K. Odin has written an extremely valuable book." —Dene Grigar, Washington State University, VancouverCited by: 2. hypertext and the female imaginary. It is this that both Odin and the female hypertext authors, artists and film-makers explored in her book do with considerable insight and : Carolyn Pedwell.

  Buy Hypertext and the Female Imaginary by Jaishree K. Odin from Waterstones today! Click and Collect from your local Waterstones or get FREE UK delivery on orders over £Pages: In Hypertext and the Female Imaginary, Jaishree K. Odin provides a thorough and persuasive account of how the experience of reading Strickland’s poems differs depending on whether one is reading the print or digital versions. If we accept Strickland’s definition of electronic literature as offered, Odin’s reading across media would itself Cited by: 1. Hypertext and the female imaginary. This shift, the book suggests, involves conceptualising contemporary social life as a complex ‘topological space where different worlds intersect at different levels’ (p. ix), and where narrative spaces can be opened up for multiple ‘other’ stories to surface. It is this that both Odin and Author: Carolyn Pedwell. In its scope, Avatars of Story provides an informative overview of narrative theory insofar as it informs both traditional and digital media. I find the final two chapters extremely engaging, especially the concluding chapter on metalepsis and its incursion into the realms of mathematics, logic, and experimental science—most notably, Gödel’s theorem, Schrödinger’s cat, and Turing’s.

  A national bestseller, Dictionary of the Khazars was cited by The New York Times Book Review as one of the best books of the year. Written in two versions, male and female (both available in Vintage International), which are identical save for seventeen crucial lines, Dictionary is the imaginary book of knowledge of the Khazars, a people who flourished somewhere beyond Transylvania between Cited by: 8. Marjorie Coverley Luesebrink is an American writer, scholar, and teacher. Writing hypermedia fiction under the pen name M.D. Coverley, she is best known for her epic hypertext novels Califia and Egypt: The Book of Going Forth by works incorporate text, image, animation, sound, and structure to create spatial, visual story worlds. Odin has extensively worked on new-media literature, literary ecology, and postcolonial literature. She has published a book on new-media literature Hypertext and the Female Imaginary (University of Minnesota Press). A book chapter on new-media literature .   Hypertext Magazine is the publishing arm of the arts & culture social justice nonprofit Hypertext Magazine & Studio (HMS). Our Mission: HMS is committed to teaching creative storytelling and writing skills to Chicago-area adults and to publishing these stories—alongside established writers—online and in print.